Ein malerischer Zugang, ein forschender Prozess, ein Universum aus Schichtungen, Licht und Intuition. Jede Oberfläche ein Unikat – jedes Stück ein Ausdruck gelebter Alchemie.
Ein malerischer Zugang, ein forschender Prozess, ein Universum aus Schichtungen, Licht und Intuition. Jede Oberfläche ein Unikat – jedes Stück ein Ausdruck gelebter Alchemie.
In my artistic and creative work, I encounter the other person.
I see the material as a partner in the process. Clay, glaze, surface, scoring, space, light, body - I listen. The clay does something to me, I do something to the clay. It is a resonance relationship.
I work with the work. Things arise from relationships. In this sense, I see my practice as post-humanist: the human being is not at the centre - but is part of a complex fabric of matter, memory, atmosphere, intuition.
My design does not follow a fixed hierarchy. Idea, material, space, context, even chance - everything is of equal value. I follow a flat ontology that seeks form and meaning on all levels. An incision can say as much as a concept. A glaze can tell a story before I have thought a word.
For me, ceramics is a resonant body, a memory, a space of possibility. Every place has a frequency. Every person has a trace. I read and listen to both - and translate it into something that touches, that remains, that resonates.
I work collaboratively, organically, sensitively - in close coordination with what is: the space, also interior design offices, clients:inside. Psycho-topical. I listen to the here and now. Listening creates something - concrete and open, quiet and powerful.
I design customised ceramic wall surfaces and tile pictures - artistically, intuitively and precisely tailored to the space, function and personality. Each design is created in resonance with the location and its ‘psycho-topography’ - in short: psycho-top.
Psycho-top describes the emotional, atmospheric and energetic nature of a space: How does it feel? What story does it tell? What effect should it have? The design reacts to these invisible parameters - sensitively and organically.
Fine incised drawings, sculptural structures, high-quality semi-transparent celadon glazes or elegant accents in gold and lustre - all creative means are developed individually. This results in ceramic surfaces that are aesthetically and emotionally functional: lively and touching.
I work closely with interior design offices, designers and clients. Together we develop spaces with charisma.
I design customised ceramic wall surfaces and tile pictures - artistically, intuitively and precisely tailored to the space, function and personality. Each design is created in resonance with the location and its ‘psycho-topography’ - in short: psycho-top.
Psycho-top describes the emotional, atmospheric and energetic nature of a space: How does it feel? What story does it tell? What effect should it have? The design reacts to these invisible parameters - sensitively and organically.
Fine incised drawings, sculptural structures, high-quality semi-transparent celadon glazes or elegant accents in gold and lustre - all creative means are developed individually. This results in ceramic surfaces that are aesthetically and emotionally functional: lively and touching.
I work closely with interior design offices, designers and clients. Together we develop spaces with charisma.
MYLASHER.earth
Studio für Kunst, Handwerk und Therapie
Tine Günther wurde 1979 in Ost-Berlin geboren und wanderte 1987 mit ihrer Familie nach West-Berlin aus. Sie studierte bildende Kunst an der Hochschule für Kunst und Design Burg Giebichenstein in Halle und ist als Künstlerin sowie seit 2021 als Kunsttherapeutin und Heilpraktikerin für Psychotherapie tätig. Bekannt für ihre Arbeiten zwischen Abstraktion und intuitiver Ausdruckskraft, stellte sie bereits in zahlreichen Gruppen- und Einzelausstellungen im In- und Ausland aus, darunter in Moskau, Brighton, Kopenhagen, Rotterdam und Leipzig.
Tine Günther alias Mylasher versteht ihr künstlerisches Schaffen als Erkundung des Übergangs zwischen Traum und Wirklichkeit. Ihre Werke spiegeln das Verborgene, Innere wider: Gärten, Archetypen und innere Landschaften. Die Arbeit mit der Erde ermöglicht tiefgreifende Transformationen. Ihre Herangehensweise ist intuitiv und sinnlich, sie vertraut auf die Intelligenz der Hand und auf das Potenzial, das sich im kreativen Prozess entfaltet. Die Werke sind präsent, real und voller Ausdruckskraft.
In my artistic and creative work, I encounter the other person.
I see the material as a partner in the process. Clay, glaze, surface, scoring, space, light, body - I listen. The clay does something to me, I do something to the clay. It is a resonance relationship.
I work with the work. Things arise from relationships. In this sense, I see my practice as post-humanist: the human being is not at the centre - but is part of a complex fabric of matter, memory, atmosphere, intuition.
My design does not follow a fixed hierarchy. Idea, material, space, context, even chance - everything is of equal value. I follow a flat ontology that seeks form and meaning on all levels. An incision can say as much as a concept. A glaze can tell a story before I have thought a word.
For me, ceramics is a resonant body, a memory, a space of possibility. Every place has a frequency. Every person has a trace. I read and listen to both - and translate it into something that touches, that remains, that resonates.
I work collaboratively, organically, sensitively - in close coordination with what is: the space, also interior design offices, clients:inside. Psycho-topical. I listen to the here and now. Listening creates something - concrete and open, quiet and powerful.
I design customised ceramic wall surfaces and tile pictures - artistically, intuitively and precisely tailored to the space, function and personality. Each design is created in resonance with the location and its ‘psycho-topography’ - in short: psycho-top.
Psycho-top describes the emotional, atmospheric and energetic nature of a space: How does it feel? What story does it tell? What effect should it have? The design reacts to these invisible parameters - sensitively and organically.
Fine incised drawings, sculptural structures, high-quality semi-transparent celadon glazes or elegant accents in gold and lustre - all creative means are developed individually. This results in ceramic surfaces that are aesthetically and emotionally functional: lively and touching.
I work closely with interior design offices, designers and clients. Together we develop spaces with charisma.
I design customised ceramic wall surfaces and tile pictures - artistically, intuitively and precisely tailored to the space, function and personality. Each design is created in resonance with the location and its ‘psycho-topography’ - in short: psycho-top.
Psycho-top describes the emotional, atmospheric and energetic nature of a space: How does it feel? What story does it tell? What effect should it have? The design reacts to these invisible parameters - sensitively and organically.
Fine incised drawings, sculptural structures, high-quality semi-transparent celadon glazes or elegant accents in gold and lustre - all creative means are developed individually. This results in ceramic surfaces that are aesthetically and emotionally functional: lively and touching.
I work closely with interior design offices, designers and clients. Together we develop spaces with charisma.
MYLASHER.earth
Studio für Kunst, Handwerk und Therapie
Tine Günther wurde 1979 in Ost-Berlin geboren und wanderte 1987 mit ihrer Familie nach West-Berlin aus. Sie studierte bildende Kunst an der Hochschule für Kunst und Design Burg Giebichenstein in Halle und ist als Künstlerin sowie seit 2021 als Kunsttherapeutin und Heilpraktikerin für Psychotherapie tätig. Bekannt für ihre Arbeiten zwischen Abstraktion und intuitiver Ausdruckskraft, stellte sie bereits in zahlreichen Gruppen- und Einzelausstellungen im In- und Ausland aus, darunter in Moskau, Brighton, Kopenhagen, Rotterdam und Leipzig.
Tine Günther alias Mylasher versteht ihr künstlerisches Schaffen als Erkundung des Übergangs zwischen Traum und Wirklichkeit. Ihre Werke spiegeln das Verborgene, Innere wider: Gärten, Archetypen und innere Landschaften. Die Arbeit mit der Erde ermöglicht tiefgreifende Transformationen. Ihre Herangehensweise ist intuitiv und sinnlich, sie vertraut auf die Intelligenz der Hand und auf das Potenzial, das sich im kreativen Prozess entfaltet. Die Werke sind präsent, real und voller Ausdruckskraft.
SHOP